M65 & M66



M Series #65 & #66

Starring: Dolly Sharp, Linda Lovelace, Chuck Traynor, Eric Edwards

Audio: Silent

Released: 1970


Linda Lovelace
I'm not sure what the title of this loop is, but it was released in two parts as M#65 and M#66. I've merged the two together. I've only ever seen the second half of this in colour, but I'm sure the full version is out there somewhere.

If you are having trouble identifying Linda Lovelace - she is the one with the hippy bandana and the blonde wig smoking a joint.

The quality isn't fantastic, but this is quite rare so Linda Lovelace fans should enjoy it.


Profile: Valerie Clark

Real Name: Valerie Rae Clark

Date of Birth: 22/07/1955

Place of Birth: California, USA

Porn Debut: 1977

Profile: Andrea True

Aka: Inger Kissen, Louis Grimes, Ida King, Catherine Warren

Real Name: Andrea Marie Truden

Date of Birth: 26/07/1943

Place of Birth: Tennesse, USA

Date of Death: 07/11/2011

Porn Debut: 1971

Andrea Marie Truden was born on 26 July 1943 in Nashville, Tennessee, to Frank and Ann Truden. She came from a solid middle-class background – her father was an engineer – and attended an all-girl Catholic school. In 1968 she moved to New York where she studied acting, but apart from a few un-credited bit-parts in movies such as The Way We Were and 40 Carats (both 1973), she failed to break into the mainstream.

Andrea invested some of her earnings in recording a 16-track demo of a song entitled called I'll Never Stop Trying. Nothing came of it but it laid the groundwork for what was to come a few years later. "It was aimed at my ex-boyfriend," she said in 1977. "The lyrics said that we were through... but I'm going to get where I want to go. I'll never stop trying. And I ran straight into hardcore movies."

"I had nothing better to do," she said in 1976. "I had been turned down by an agent for a record deal and I was tired of working as an extra in pictures. Some of my friends asked me to join them in a porno film. I figured I could learn about films and acting that way, so I did it." She shortened her name to Andrea True to protect her family, but admitted her decision caused problems. "For one thing," she would later say, "how do you go home and say, 'Mom, I'm in porno movies?'"

Andrea joined a long list of struggling actors and actresses, such as Georgina Spelvin, Eric Edwards, Harry Reems and Jamie Gillis, who viewed porn in the early 1970s as simply a way to make ends meet. And just like them, her foray into porn became a career. Between 1971 and 1975 she appeared in dozens of hardcore loops and movies, quickly establishing herself as one of the top names in the New York industry. Although many of her films were one-day wonders, she also appreared in Madame Zenobia with Tina Russell, Illusions of a Lady (both 1973) and The Seduction of Lyn Carter (1974) - all of which are now considered classics of the era. She would later claim, "The porno films left me with an exhibitionistic freedom that very few girls have."

In late 1975, during the height of her career as a porn actress, Andrea True was hired by a real estate business in Jamaica to appear in their commercials. During her stay on the island, a political crisis erupted and a government ban on asset transfers barred her from taking her earnings home. (The ban was a response to United States sanctions imposed on Jamaica after the election of Michael Manley, a Castro sympathizer.) Not wanting to lose the money she decided to invest it in music and asked her friend, record producer Gregg Diamond, to travel to the island and produce a track for her.

Gregg’s brother Geoffrey would later recall, "we had this song hanging around for about a year. We tried different people on it, but we really didn't know what to do with it. Andrea True knew Gregg and would come over to the house all the time. About a year after we created the demo, we get a call from Andrea, and she says 'I did this movie down in Jamaica and I made some money, but I can't leave the country with the money or they're going to take half of it. One of the guys that I know here has a studio. Do you have anything up there I could sing on?'"

"So we go down there with our demo, throw on her voice, make it sound as good as we can because she wasn't really a great singer – we had her sing it like a dozen times, over and over, so we got this thick version of her, this big, lush, breathy and sexy vocal. Then we edited it, cleaned it up and put a bunch of reverb on it so it has that big effect."

More, More More was released as a single in February 1976. It was credited to The Andrea True Connection and tailor-made for a market then in the grips of disco fever. The lyrics, “But if you want to know how I really feel, just get the cameras rolling, get the action going” seemed to fit Andrea True perfectly. It eventually became a massive hit reaching No. 4 on the US Billboard Hot 100. A full album with the same title soon followed. The single also reached the charts in the United Kingdom (where it peaked at No. 5), Germany (where it reached No. 9) and Italy (where it reached No. 11). Rolling Stones magazine described it as "one of the iconic songs of the disco era."




Following the record's success, Andrea decided to quit porn, claiming "I would be a waitress or a typist before I'd star in another [adult film]. Now I just want to record and perform. Don't look at me as a porno star anymore. Look at me as a recording star." Over the next four years she released a further two albums and eight singles – none of which repeated the success of her debut. Her singing career was eventually killed off in the early 1980s after a goiter developed on her vocal cords that required surgery.

Andrea True eventually moved to Florida where she worked as a psychic reader and then a counsellor for drug and substance abusers. She continued receiving royalties from her music, and More, More, More remained a popular song on TV and in movies (it was used in both the television series Sex and the City, and The Simpsons). It has also been covered by pop stars Samantha Fox, Bananarama, Rachel Stevens and Dannii Minogue.

Andrea True died in New York in 2011, aged 68.

PG14: Big Dick IV


Re-issue cover
Pretty Girl #14: Big Dick IV

Starring: Brigitte Maier, John Holmes

Audio: Silent


This is an upgrade to the version I posted here two years ago. It includes the opening scene which was previously missing and is about a minute longer. The quality is also much better.



TS754: Prick Teaser


Teenage Sex #754: Prick Teaser

Starring: Catherine Ringer, Dominique Aveline, Jacky Arnal

Audio: German

Released: 1983


Vier Jahre mit RP

Der Spiegel ist Schuld. "Arthouse-Porno" und andere plakative Attribute verpasste Spiegel Online RP Kahls Bedways im Sommer 2010 für eine sehr verlockende Rezension. Kein Wunder, dass Tabsie und ich damals sofort Feuer und Flamme für den Film waren, befanden wir uns doch selbst in einer sexuellen Findungsphase mit Lust auf Popcorn. Also Hosen aus und rein in den Film!

Wer hätte damals gedacht, dass RP Kahls Arbeiten vor und nach Bedways vier Jahre später bei uns immer noch ein Thema sein würden? Das hängt sicherlich mit der Fülle an Werken zusammen, die rund um Bedways entstanden sind:

Die Uraufführung von RP Kahls REHEARSALS fand bei den Hofer Filmtagen am 25. Oktober 2012 statt. Sie bildet den Abschluss eines Kompendiums von Arbeiten Kahls in den Jahren 2006 bis 2012, die sich mit den Themen Begehren, Körperlichkeit und Sexualität beschäftigten und die Filme (Bedways, Miriam), Videokunstarbeiten (Nude. Women), Fotografien (Giddyheft-Shootings) und Performances (Rehearsals, Zürich) dieses Arbeitszeitraumes zusammenfasst.

Wir hatten ja keine Ahnung, wir wollten nur einen Arthouse-Porno schauen - mit Popcorn. Seitdem haben wir nicht nur seine zahlreichen Giddyheft-Shootings konsumiert, darunter als Highlight natürlich die Bilder von unserer herzallerliebsten Lucy *schmacht*, uns flatterten auch die Special Edition von Bedways und eine Aufzeichnung von REHEARSALS ins Haus. Ein Fest für Voyeure, kann ich euch sagen. Außerdem hatten wir im Rahmen eines Wurstfrühstücks die Gelegenheit, RP Kahl zu sämtlichen Schweinereien zu interviewen ("Warum sind auf deinen Bildern alle nackt?", "Steht RP wirklich für Richtig Porno?"). Selten hatte eine Spiegel-Rezension solche Folgen.

Wer sich für die Werke seit 2006 interessiert, kann sich über die drei Studio-Editionen REHEARSALS, NUDE.WOMEN und DARKROOM das große Ganze ins Haus holen. Die limitierten Editionen umfassen Kurzfilme, Videostills, Fotografien, verlängerte Szenen und Einblicke in seine Arbeit als Fotograf.
Besonders spannend fand ich ein Gespräch, das sich zwischen RP und seinem Modell Mara Morgan während eines Shootings im Züricher Museum of Porn entwickelt. Eigentlich nur als Ziel voyeuristischer Blicke vorgesehen, lässt sich Miss Morgan dazu überreden, im Rahmen einer Live-Performance mit den Zuschauern gegen Geld zu interagieren. Wer genug zahlt, darf alles mit ihr machen. War das Kunst oder Prostitution? Und wo war ich an dem Abend eigentlich?

Aus den Aufnahmen geht hervor, wie die einzelnen Teile dieses Werkes ineinander übergehen und welche spezielle Sichtweise RP Kahl im Kontext der oben genannten Themen einnimmt. Sicherlich ist nicht jeder Teil dieses Projektes so leicht und geil konsumierbar, wie Spiegel Online damals Bedways beschrieben hat, aber wer sich hier vom Künstler durch die Editionen leiten lässt, wird belohnt.

Details zu den Studio-Editionen gibt es unter http://rpkahl.bigcartel.com/